Week 11 Essay: Indian Fairy Tales Review

I enjoyed this week's readings, and it was nice being able to branch away from the epics some.  I am glad to have chosen to do some Un-Textbook work for my (hopeful) last week of the class.  My favorite stories were ones where Buddha or some special knowledge was acquired by the characters. 

In regards to background information, I would like some information on strange names that we may hear normally in our stories.  For example Brahman or Bonga.  I had an idea that the Bonga is a water spirit, since he was able to carry away the girl once she had drowned, but I a little confused when her sister-in-laws had first confronted him.  I even tried to Google "Bonga" and couldn't really find anything. Since I've read the epics, I am aware of what a Brahman is, but if this was Myth-Folk I probably wouldn't have. Many stories began with a particular Brahman, and he was the main character, so this may have confused me a bit.  

The Poor Sister.

(Source)

I learned some common lessons from this unit that have to do with everyday things that we may take for granted.  These things can include being a chatterbox or even a gossiper.  The Talkative Tortoise story really gave a good explanation on how your mouth can get you into trouble.  The Matted Demon story taught me that knowledge is power, and it was inspiring how the Prince was not afraid of death because he knew that it was inevitable to all humans at some point.  He had faith that he had lived a happy life of doing good, so when he would be reincarnated in the future he would not live a life of anguish.  

Overall, I was very pleased with this unit and happy that I had chosen to read it.  The stories were not too long, but gave me enough to think about it for a bit after finishing one.  

Un-Textbook Reading: Indian Fairy Tales

Specific Stories Mentioned:

• The Magic Fiddle
•  The Talkative Tortoise
• The Demon With the Matted Hair

Week 11 Reading Diary B: Indian Fairy Tales Pt. 2

The Talkative Tortoise: 

I liked the lesson learned in this tale.  I feel as if it took forever to get to the point of the whole story, but it was a good explanation of the moral.  If I were the King, I would probably be scared silent as well.  I am somewhat of a chatterbox myself, and this even teaches me a lesson.  Good thing I have already made attempts to slow my own tongue.

The Gold-Giving Serpent:

Too bad the Brahman hadn't taught or warned his son of why he would bring the milk to the serpent.  If he would have perhaps done this, his son may have still been alive.  He can be mad at the serpent, and his son, all he wants, but the serpent really had a point when he stated the only thing that brought the Brahman back was his greed. 

The Prince and the Fakir:

This story sort of reminded me of Hansel and Gretel, but of course with different twists.  The only thing that I wonder is if the Prince, who will soon be made king, will try and reach out to his family. I wonder if he also keeps all the animals and servants he has acquired, or if he will set them free once he is made king. 

The Demon With the Matted Hair:

The ending of this story was a little confusing, and I wasn't sure of what was going on, but overall I liked this tale a lot.  It shows that knowledge is truly power.  What confused me the most is that the King died in the end, but yet he was the Teacher?  Maybe he is a reincarnation or born in another life and is allowed to have known his past.  Perhaps he has come back as a teacher once his life as king was over.  Nonetheless, I like the moral of the story of how one can always turn to good no matter how bad they were in the past-no matter how bad they used to be. 

The Matted Haired Demon and the Prince. 

(Source)

Week 11 Reading Diary A: Indian Fairy Tales Pt. 1

The Broken Pot:

I really enjoyed this story and, at first, how thoughtful the Brahman is.  That is until he notes the part where he will kick his wife as soon as she does something that he does not like. When he kicks, and breaks, the pot I am a little overjoyed.  Hopefully he learns that it would do him no good if he ever acquired a wife.  

The Magic Fiddle:

This was also an interesting tale.  I was very sad for the poor sister, and I am wondering why her sister-in-laws couldn't formally marry her off instead of killing her.  This was the first time I had heard of a Bonga, and spirits alike it, and it was very interesting to learn about.  I am left wondering what the protagonist's brothers had decided to do about their wives' deceitful acts.  

The Tiger, The Brahman, and the Jackal:

By this time I am seeing a general trend here.  There is normally one stuck in a situation (like in a cage, small pond, poverty, etc.) and some happens to cross their path. Of course the victim tries to win them over and have them set free. I would like to see here if the Brahman will set the Tiger free, and if he does will he be eaten or rewarded?  Wow!  The Jackal is such a cleaver creature in this tale, and the Brahman better have paid him some thanks and respect after saving his life.  

Harisarman:

The picture prior to this story is what caught my eye.  I am intrigued to see what is to come out of this story.  I honestly don't know what to think of this tale.  Perhaps the gods did take pity on Harisarman, granting him with all the things that seemed coincidental... I don't know. I just hope that in the end, he did not let the prosperous living get to his head, and that he ended up causing destruction to his family.

 

Harisarman. Isn't he just creepy looking? 

(Source)

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Week 10 Storytelling: Panchali's Trials

Note: This scene is of Panchali, in disguise, while she is attending to Queen Sadesha's hair.  This is the day after Kichaka's funeral, where Panchali was supposed to perish, but was saved by her husband Bhima.  She is under the alias Sairandhri.

"My goodness, have I not gone through enough?!" Panchali confided in the Queen as she was preparing her hair. 

"Oh darling Sairandhri, you sound distressed tell me everything," replied the Queen.  Queen Sadesha was clearly intoxicated and high off the sweet perfumes in her palace, so Panchali was assured she could confide in the Queen without worrying about blowing her cover.  

"First, my hand was won in marriage by a strong gandharava, but I was not allowed to marry just him.  He had four other brothers whom he was very close with, and the five had shared everything throughout their whole lives.  Because of this, this gandharava didn't know how to possess anything on his own. In my father's eyes, and by common law, I was rightfully his so I had to agree to marry all five of the brothers.  The eldest is very wise, and had come up with a scheme where I would spend a whole year with one brother, and would rotate to another's home when time had ended."

The Queen interjected, "Five husbands?!"  "My dear that must have been some feat having to juggle and pleasing so many different men," Sadesha continued.  

"It was odd at first my Queen, but I learned to love each brother for their special qualities," replied Panchali.  "This was only the beginning of my torment for only after a few years of marriage, the eldest and wisest of my husbands' had gambled everything he owned, his brothers, and finally himself. Although, technically, I am one with my husband and would have been included in his possessions, I was not going to allow my dignity to be gambled away.  I protested to my husbands' opponent that I was not an object to be owned, but this fool grabbed me by my hair and drug me to the assembly floor."

"HE DID WHAT?!" the Queen exclaimed.  

"Oh my Queen, it gets better than this.  I explained that I was in the middle of my menses, but this man was already on a role with his atrocities.  He denounced my husbands and made them undress themselves of their fine clothing.   As he tried to do the same with me, I reminded him of my monthly and told him how vile he was.  This statement was ignored and he was already reaching for my sari.  I threw my hands up in the air and asked the gods to help keep my dignity.  Every time this man tried to remove one of my sari's, a new one had taken it's place until he grew tired of trying to remove my clothing.  There was literally a pile high enough to dress all the women in your court." 

"You don't say," said the Queen, "You have gone through so much." 

"Thats not even it, we were exiled soon after that.  Overtime I ended up in your kingdom and was appointed head hairdresser in your court. My husbands had taken a vow to become invisible during our exile and always watch over me with a protective eye.  Even with this in mind, you vile brother still had an eye out for me."

"Hey!"

"Sorry, too soon? Don't expect me to be sorrowful for Kichaka's death considering he violated me and all."  

"You're right, but remember that I let you remain in my kingdom only because you promised your husbands wouldn't cause anymore troubles."  

"Yes my Queen, I am well aware of this, but on with my rantings.  A while after I had arrived, your brother had an eye out for me, and like I previously said, he violated me.  Prior to this event I graciously asked your husband, the great King, to dismiss his brother-in-law, but was hurriedly dismissed myself.  I was so infuriated, can a girl not catch a break?  Anyway, shortly after this was when Kichaka acted and the same night my husbands took care of him.  I thought this would end my streak of bad luck with men, but I was blamed for Kichaka's demise and was ordered to be burned in his funeral pyre!  I was deeply hurt my Queen, how is a woman supposed to defend herself around here? She isn't, and when her husbands step in to take care of her honor she is then blamed for another man's violations?  It just doesn't make sense."

(Draupadi in Virata's palace. Source: Wikipedia)

"Yes, my dear I am very sorry for all of that," the Queen stated in a very drunken state, "I was sad and upset. I wasn't in a mood to otherwise defend you against my husband. If it wasn't for our new cook's delicious food and drink, there was no swaying the King's decisions once his mind is made up. You should thank the cook for he is the one who was able to save you from that horrible fate."  

Panchali was very grateful for the cook, who was Bhima (one of her husbands) in disguise, and she knew in her heart that he was the one who had ultimately saved her.  

"My Queen, thank you for your council and listening to all of my grievances,"  Panchali said after thinking for a bit. She poured the Queen another glass of fine wine and slipped in a sleeping potion that would make her forget the conversation they previously had.  Even though Panchali knew that the Queen was terribly drunk, she didn't want to take any chances on her remembering anything about the conversation they just had. Especially when her exile would end in a matter of two weeks time.  Once the Queen was asleep, Panchali slipped from the palace and went to visit with Bhima to thank him for coming to her rescue the day before.  

Author's Note:
When I originally read the epic, where it mentioned Kichaka "assaulting" Panchali I didn't automatically assume he had raped her.  When this was confirmed, a thought came to mind on how much this woman had to endure so far and what was to come in the future. After looking over the storytelling prompts, I noticed one regarding to Bhima saving his wife at the funeral pyre.  This along with my previous thoughts inspired me to create a story about Panchali's frustrations.  I wanted to have a story where she felt comfortable venting to someone, and since she was a hairdresser I thought what a perfect scenario. If you're wondering why I chose to use Panchali instead of Draupadi in my story, it's just easier for me to spell and read so I decided to go ahead and use it.  

I chose the image I used in order to try and convey how defeated Panchali must feel when she learns that she is to be burned at the funeral pyre. 

Bibliography:

Narayan, R. K. (1978). The Mahabharata.

Week 10 Reading Diary 10: The End of the

Krinsha is very sure of himself and his strength, which is probably can be tied to the fact that he is a god, but still.  Although he is a strong ally to the Pandava's, he is also just and would rather have a peaceful outcome versus all out war.  I can only wish that Narayan could have drawn a picture or included some more description of Krinsha's celestial form.  

I will say that I was surprised how much description was included about the war.  I didn't expect it to last nearly as long as it had, since the hype pre-war was that the Pandava's would have been the clear winners.  There were many losses and gains on both sides, but I can only imagine how grief stricken Dhritarashtra is to learn that all of his sons have been killed.  I can say that he surely is a sly man in regards to his attempt to kill Bhima while embracing him.  Luckily, for Bhima, Krinshna is all to aware of what the old king is trying to attempt. 

(Krishna's Celestial Form. Source: Wikipedia)

Everytime I think I know who all the character's origins are, there is always one that pops up and I'm thinking to myself "where did this fool come from?!"  It's sad that the Pandava's had killed Karna and only learned of his origin after he was defeated in battle.  

I think it's touching that Bishma was cremated near his mother on the Ganges shore.   I was taken aback that the King, Queen, and Kunthi perished in a forest fire.  I feel that this may be the King's karma for not being able to stand up against his son, but what about Kunthi?  

Week 10 Reading Guide A: Exile and Pre-War

At this point I'm starting to see that Dhritarashtra is can be just as mischievous as his troublesome son.  When the gandharava's took Duryohana as a prisoner, the Pandavas should have made a compromise to prevent the battle that is coming in the future.  You would also think that Duryohana may be somewhat grateful to be set free, and felt some guilt about how he treated his cousins. But no, that is not how things went.  

I like the part about the voice in the lake, and how only Yuma's son was able to keep up with his questions.  Fortunately for them they are granted the boon of unreconizability for the last year they are exiled.  

(Pandava's in Exile Source: Wikipedia)

I am honestly a little surprised that Bhima was able to kill the Queen's brother without any persecution. I'll admit that I didn't know what a eunuch was, until I read the epic, and the definition surprised me.  When he decided to take this disguise I thought he was going to obtain dirt from the women's palace, but I guess it wasn't meant to go that way.  I don't like to write stories about events that pertain to rape, but I hope someone recreates this part of the epic, in their storytelling, to give Draupadi's perspective. 

I don't know how the Pandava's thought they could get away with killing a public figure, and it go unnoticed by Duryodhana.  Draupadi has five husbands, one should have been protecting her at all times.  After reading the Ramayana, it was interesting to learn about Krishna and another one of Vinshu's avatars.  It's sad that Duryodhana is only one Dhritarashtra's 100 sons, but yet he cannot be a man and stand up against him.  

Week 9 Storytelling: Bishma's Childhood

Ganga didn't know what to do with this child that she hadn't drowned.  She was not aware of this sudden twist in the prophecy.  She was under the impression that she was put on Earth for a brief time to give to the eight children, and then she would return to her watery environment.  

She had already done her part in giving birth to Devavratha, her eighth infant, and was already on her way to delivering him back to heaven when Shantanu stopped and questioned her actions. As she was nearing the river's shore, Shantanu broke through the brush calling her name.  Nearly breathless he asked for an explanation of her actions. Ganga replied," My loving husband, you have done as I've asked for so long, but today you have questioned my actions."  As a side note, when Ganga and Shantanu met she requested that he never question her actions or she would leave him forever.  The goddess continued,  "Today I will take your youngest child, Devavratha, to heaven with me in order to teach him humanly ways.  He was supposed to return to heaven, and was born only of godly matter, but since this was interrupted he must live an adult life here."  With this last statement Ganga took her infant and descended into the river's water.  

(Ganga and Devavratha Descend)

As they descended Ganga was contemplating how she could teach a half mortal to be completely mortal.  She decided that she should have her son be a holy man and brought him to Brahma.  It was known among the gods that Lord Brahma was the father of Manu, who then became the father to all human beings.  She traveled to heaven and bowed before the Lord with her infant in her arms. He knew why she was there, and gave her instruction on what she would do with her last son. She was to bring him to her river home, for she was free now that she had fulfilled what was asked of her in regards to the curse. While there, Devavratha would serve and tend to her home.  Devavratha would also learn about the human way of life through prayer and meditation.  Through serving in Ganga's home, Devavratha would become a wise and disciplined young man who will be human once returned to his father.  While back on Earth, though, he would be a loyal servant to whoever rules over his father's throne, because he would not be able to rule himself. Devavratha would not know this, since he is an infant, but he would be cursed and have taken an oath of celibacy throughout his human life. This seems dreadful to a mother, but this will keep Devavratha's heart pure and he would ascend to heaven when final peace has been granted to the kingdom that was once his father's (foreshadowing the quarrels of the future Pandavas and Kauravas).  The Creator had made his declaration, and Ganga returned home to the river. 

 She was very happy to finally return home and once Devavratha was old enough, she set him to work on his spirituality and discipline as Brahma had instructed.  When the day came, and Devavratha had grown in to handsome and wise young man, Ganga brought him to the river shore that they had left behind.  She had sent word to Shantanu, who was eagerly awaiting their arrival.  Ganga said her goodbyes to her son and previous husband, and then descended back to her home.  Ganga had faith in Brahma and Devavratha, and was always watching her son from afar though she knew better to ever meddle with human relations.  

(Father and Son Reunited)

Author's Note:  

I chose this story since I had literally so many avenues that I could pursue.  The epic only introduces the background of the curse, and when Ganga brought (the future) Bishma back to his father.  While reading the epics, I’ve noticed that many great men of have spent a lot of time meditating or serving another for a period of time.  This was done in order to obtain their wisdom and discipline.  I chose Lord Brahma for Ganga, to visit for advice, since he is The Creator and grandfather of all humans.  I tried not to leave any important details out that we were introduced to in the reading, but at the same time I didn’t want to take away the focus of Bishma’s childhood.  So far, we have not read of any intervention of Ganga, in regards to Bishma’s adulthood, but I wanted to give her some motherly instinct and have her watch over him from a distance.  I also included why she would never intervene if Bishma were to encounter trouble. 

Bibliography:

Narayan, R. K. (1978). The Mahabharata.

Week 9 Reading Diary B: Gambling & Weapons

I have to say, this epic is nothing like what I had expected.  The Ramayama was very straightforward, and the storyline was pretty easy to understand.  The Mahabharata, although it is a lot older, reminds me of how Homer's Iliad and Odyssey are constructed.  In the Mahabharata there isn't a dull moment.  I can say at this point I really like the Pandavas, and the unbreakable bond the five brother's have is inspiring.

Up until this point, I think Duryodhana needs to seriously take a chill pill.  He's like the Manthra from the last epic, if it weren't for his character, there may not be a story!  When the Crystal Palace, and Indraprastha, are built I wish there were illustrations in the book.  Their descriptions imply how breathtaking the architecture must have been.  The story about Arjuna's fire for Agni took me by surprise some, especially considering Vayu's son is a monkey!

I think that's it interesting that gambling is mentioned in the epic, and that it is a catalyst in the tale. I wonder if gambling is as big of a deal in India as it is in the Philippines.  In the Philippines there isn't much dice playing, at least not from what I had seen, but there were plenty of "walking lotteries" and all the people on a block may have placed bets.  Draupadi reminds me some of Sita and Kaikeyi in the Ramayana, because if it were not for Draupadi all of the Pandavas would be imprisoned.  Nonetheless, this does not stop the brother's from getting exiled anyway during a second dice match.

(The Disrobing of Draupadi)

I really like this part of the epic (pertaining to the picture), I like how Draupadi is protected from humiliation and the scene makes a fool of her cousin-in-laws.  

My favorite part of this section was the last part of the reading.  I always enjoy learning about the mantras, and I think it's because this is how Rama defeated Ravana.  Oh! Also, throughout the readings I seem to find a lot of similarities between Ravana and Duryodhana's personalities.  I'm predict that there's going to be this significant battle where Duryodhana is going to be defeated either by all five brothers, or by Arjuna himself. I can't wait to see whether or not I am right!

Week 8: Writing Review Week

The greatest writing that I have had success with, this semester, is my Storybook. I have found a topic that I really love, and I use my son as an inspiration in the style I chose. With my normal Storytelling posts, I have tried implementing more dialogue, and this is something I struggled with last semester. While in the writing process, I always look for a topic that really jumps out to me, then I think of the different ways I can either tell the story, or what twists I can add to the plot.

I have gathered some really good ideas when looking at other student's Storybooks, especially on how to add an extra level of suspense and emotion to the text. I enjoy getting instructor and peer feedback, since they're able to see things from a different perspective than I. After I finish writing a story, it always sounds “right” to me, no matter if I read it slow or aloud. When another person comes in, and gives me feedback, sometimes I am taken completely by surprise. I always like suggestions on how to improve the flow of the text, or if another word fits better, because it makes me feel as if I am improving my writing along with vocabulary. :) 

(Sita's Descent )

This image has come from my most recent Storytelling post: "The Golden Statue."  The picture displays Mother Earth bringing Sita back to her original domain.  Even though it's depicted as a sad scene, for some, I really enjoyed this event in Buck's Ramayana.  I felt that this was resolution for Sita, and she was taking her life into her own hands at this point, instead of someone like Rama or Ravana choosing her fate for her.

The biggest challenge for me, as a writer, is trying not to sound too technical in my writing. I have a hard time making my ideas flow when creating a new piece. I even had this difficulty when writing a research paper recently, though I sort of give myself the benefit of the doubt on this one (since my last paper was written over a year ago). After some reflecting, I think this has a lot to do with my job. All I do at work is type up EMRs all day, and this kind of writing that is expected of me is short and straight to the point. To fix this, I think I am going to try and improve my writing across the board, and practice this at work and not just in the classroom setting.

Week 8: Reading Review Week

Since we've only read the two versions of the Ramayana so far, in this class, I can't really compare them to other stories.  There were many things that I liked about Buck's and Narayan's versions, then there were some things I didn't like so much. As I am taking notes for this class, I try to focus on the main themes of the particular story I am reading, then how this makes me feel.  I am always on the look out on what I can use to recreate my own tale.  I most definitely go back and review my Reading Diaries when it's time to write my storytelling posts.  I normally write about particular events, or characters, in the stories I come by in order to remember the overall "gist" when I come back.  These key concepts bring back to mind what these stories were focused on.  

My storybook project definitely is time consuming, so I try to look for one good source that provides me with a broad amount of information that I can use.  I enjoy looking for these sources, and reading through them, but once I find a good one I normally stick to it.  I love using Pinterest since it gives me the option to save all my links in one place, while keeping the source stored as well.  I love to read for pleasure, and I think this class correlates, and gives me an opportunity to read something that is interesting to me.  I really like this concept when it comes to reviewing others storybooks, since they have a source attached where I can discover more information if I want. 

 

 (Hauman and the Sea Demon)

I chose this image, because it took me completely by surprise.  This story was my most favorite to write, and some of my most creative writing!

I don't really have any suggestions for the reading material in this class, especially since we are required to buy the epics and review/compare them.  I feel as if I've learned a little about the Indian culture, and I like that very much.  Since this is a review week, maybe you could suggest an assignment comparing and contrasting the two versions of the Ramayana.  

My advice to future students:

DON'T try and summarize what you have read, especially when it close to being word-for-word.  I did this in Myth-Folk, and what I do now is read the text and take notes on some of my most favorite parts of the stories.  I really enjoy reading epics, since there are so many side tales provided for you to recreate on.  I love to use my reading diary as a basis for ideas on what I want to use in my storytelling post.  I will sometimes put a word or two of the different changes I could possibly use, so that I will remember later when the time comes. 

Week 7 Storytelling: The Golden Statue

Rama was thrilled to learn that Sita was still alive, and that he had two young sons who survived his foolish decision.  He could not believe that after ruling his kingdom for over 10,000 years, that this is when the people began to spread rumors about his wife.  But as any other good king, he put his kingdom first, and sent Sita to the forest to let destiny decide whether or not she survived.

In his grief he made a golden statue in his wife's image, and kept in in her living quarters of the palace.  King Rama never had eyes or lust for another woman, for Sita was the only one he was destined to be with.  When Lava and Kusa had sung of his adventures in the Ramayana, he knew that these were his sons, for they were in his likeness.

Rama sent Lakshma to Valmiki's home, and the next day it was arranged that Sita would return to Adyodha and the great festival will end. The crowd had gathered early in the morning, and Rama had Sita's golden statue returned to the kingdom during the night.  The Queen entered the crowd of people, as beautiful as ever, and Rama held his breath in excitement.  Instead of embracing Rama, though, Sita had asked her husband permission to prove her innocence once again.  This was granted, and Sita asked her Mother to take her back to her underground home for good. Before Rama could object, Mother Earth rose to the surface and looked to all of the crowd, her husband (Janka), and her lovely daughter.  Mother Earth had lost patience with Rama and his people, took Sita in to her lap, and they disappeared underground.  All the people of the crowd rejoiced for Sita's innocence, but deep in Rama's heart he was sad that he would not see Sita every again.  He took this as an act of Karma, and brought his sons home when the festival ended.

(Sita's Descent )

When Rama returned to Ayodha, he went to Sita's living quarters to see if her statue was still there. It was, and he had decided to keep it standing there for his sons and his sanity.  Another 1,000 years had  passed, and Time requested that Rama return heaven where all the gods were awaiting his arrival.  Rama agreed and made preparations for this.  He called his ever faithful servant Hanuman and asked him, "My most devoted follower, will you accompany me on my journey to heaven?"  Hanuman was surprised with this request, and it took him a minute to gather his thoughts.  Eventually Hanuman replied, "My King, as delightful as this sounds, I believe that it is my mission in life to remain on Earth as long as there are ears yearning to hear about your great deeds in the Ramayana.  I must make sure that scribes and storytellers only tell the story in 100% truth. Look how after 10,000 years of ruling, the men of your very own kingdom have turned their backs on Sita, although the Ramayana tells of how she remained innocent while in captivity."  Rama realized that Hanuman was right, and was very grateful that he was willing to take this task upon himself.  Rama replied, "Hanuman, for your unbreakable devotion to me and my kingdom, I grant that after my leave you will take possession of the golden statue made in Sita's likeness.  You are the only one that I trust enough to ensure to tell of her braveness, loyalty, and significance in the Ramayana." After this was decided, Rama felt better about leaving his kingdom behind.  The great King departed for his last journey to Sarayu and onto heaven.  Hanuman was there to see him off, and had only happiness in his heart for the King that he loved deeply.

(Hanuman's Heart)

A few days after Rama's depart.  Hanuman created a temple for anyone in any region of the Earth to come and hear about the Ramayana. He created a shrine for Rama and Sita, and in the place of Sita was the golden statue created previously.  Anytime Hanuman would lay eyes on the shrine, or told another about the adventures of the great king, his heart was filled with gladness.

Author's Note:
For this story, I tried telling about the fate of Sita's golden statue after Rama had departed for heaven.  Throughout reading this version of the Ramayana, it bothered me that Rama left her in the forest, even after I read the ending and learned that it was for "the good of the kingdom."  When looking over storytelling prompts, I thought that it was interesting that we do not find out what happens to the statue in the end.  I decided that since Hanuman was such a devotee of Rama, and that he was the one to find Sita in Ravana's garden, he would be the one to receive and care for the statue.  I felt that if anyone else were to be put in charge of it, it would have eventually been neglected.  I also thought about how over time the citizens of Ayodha forgot how courageous Sita was while waiting for Rama to save her, and felt that if someone like Hanuman did not continue to tell the Ramayana in its true form that Sita's name would once again be defamed.

Bibliography:

Buck, William (1976). Ramayana: King Rama's Way.

Week 7 Reading Diary A/B: The end of Buck's Ramayana

I didn't complete the reading diary in time even for the grace period today. I did want to complete both readings though, so I am just going to go ahead and do both in one blog post!

Part A:
To start off the reading, how many times does Ravana need to be told to let Sita go?  He simply just does not get the extent of the trouble he is getting himself into.  Like Sita had mentioned in previous readings, or in Narayan's version, it is almost as if Ravana is wanting Rama to slay him.  

In the next part, I feel sorry for those who live in Lanka since they seem to be the only one's suffering from Ravana's arrogance.  Ravana himself seems like he is just fine and dandy, when she should have taken a step back to realize that there are people out there that truly care for him deeply.  

(Mandodari and Ravana)

Buck is a very talented and creative writer, and this is why his Ramayan is considerably longer than Narayan's.  Ravana's preparation for battle is more elaborate here, for instead of locking himself in his room he performs a dance ritual.  This may be an interesting take on a possible story.

Wow!  Even the final battle considerably different.  There is an actual "face off" on foot, versus in chariots that are flying around the globe.  The illusion of Indra also wasn't mentioned previously.  This is the part of the epic that I am ready to read.  Now that Ravana has passed, what will Rama do when he sees Sita, and why is she still sent to the forest when pregnant?!  We once again see Agni testifying on the behalf of Sita's innocence.  I couldn't imagine seeing all these animals, and creatures alike, traveling with the trio to attend Rama's coronation.

Part B:
Maybe it is just me, but I can say that I do not favor this ending of the Ramayana so much. With Narayan's ending, it was brief and gave the reader a sense of resolution.  Buck's version is "doing to much," in my opinion, but it does provide the reader with a different perspective on what happened with Rama and Sita.

The coronation was just as grand, if not grander, than what was previously described.  I am happy that Mnthra has come back into the story, asks forgiveness, and all seems to be going well at this point in time.  Everyone returns happy, and all is good in the kingdom of Ayodhya.

(Rama's Coronation)

What I do not understand why the people of the kingdom are now talking about Sita's time in Lanka, have they forgotten about her sacrifice in the fire?  Hmm, maybe it's jealousy.  Also, out of all the people why does he send his dear brother Lakshmana, he must love Sita like a real sister and must have created a bond with her during their fourteen years in exile.  Although Sumitra's story provides clarification, and proves that Karma is always watching, but it does not ease my sympathy for Sita.  I think it's a little ridiculous that she must prove herself once again to her husband, then disappears into mother earth.  I am sad that Lakshmana had to also die, I wish he just sent the hermit, Durvasa, into the meeting between Rama and Time himself.  At The End, I wonder if Sita and Rama are reunited as Vinshu and Lakshmi.

Resize and Collage Tech Tip

Someone pointed out, in the nicest way of course, that my Storybook was a little plain. I completely agreed, especially since it was targeted for children, but I am definitely not the most tech savvy person out there. So, I decided to take up their advice and check out the "Tech Tips" to see if I could find anything to improve the background. I can say this was some of the best advice that I have received in a while!  :)

I decided that I wanted to make a collage, and to practice I looked up images of Ganesha on Wikipedia.   Below is the image that I created:

This image was automatically resized when I pulled it into the post, and what I have also found is PicMonkey automatically sizes your created image to 2000 x 2000. I wanted to leave this large (2000 x 2000) image up to let you compare the difference, but it didn't look right when I uploaded this post onto my blog. This image is obviously wayyy to large for my Storybook background, so I resized it to 400 x 400, which you can see below.

If you're curious to what my site looks like now, and haven't been assigned to visit it, you can see it here. 

Week 6 Storytelling: Monkey in a Dragon

Hanuman was feeling good about himself and his travel over the ocean.  He was thinking to himself how future generations would speculate on how a monkey could magically grow in size, and jump across a great sea in order to reach Lanka.  Hanuman had already left Mainaka, a great mountain with golden wings hiding in the sea from Indra, who attempted to return a favor to Vayu (the wind god).  Vayu had protected Mainaka from Indra before, and now he felt compelled to let the great Hanuman rest.  Hanuman was so energetic, fueled by his mission to find Sita, that he did not want to rest and in return granted Mainaka peace from feeling like that he had to repay Vayu in anyway.

Lanka's shores were growing larger and larger, and so did Hanuman's excitement.  Gradually, he began to see a streak of red intermittently flashing in the ocean below him.  At first Hanuman disregarded the unusual site, for he was more focused on reaching the land ahead of him.  All of a sudden a large dragon head popped out of the ocean and tried to grab Hanuman's tale.  If you did not know, a monkey's tale is his pride and joy, and this was enough to delay Hanuman's flight just for a moment.  Hanuman waited for this creature to make another appearance above the water, when the next thing he knew was in it's mouth.

(The top image is one version of Sinhika swallowing Hanuman: Source)

Hanuman shrunk to a minuscule size, injured the creature's heart, and finally escaped through their ear.  Hanuman knew he only had a few moments before the brute's demise, and demanded an explanation for such a rude attack.  The creature spoke, "I am Sinhika, a rakshasi, and I am the protector of Lanka's shores.  You are not a fellow demon, and I have made an attempt to prevent you from reaching your destination."  Hanuman replied," Do you demons lack knowledge of proper battle etiquette?!  You must never attack a warrior that is not already in battle, especially when their back is to you."  Sinhika howled in laughter, and said with her last breath, " Oh honorable monkey you must not know the ways of us rakshasis.  If you continue to use this noble mentality you will not survive in Lanka, for she herself will attempt to approach you as an illusion and kick you down.  With my last breath, since you have defeated me, I will advise you not travel in Lanka in your natural form, but do so as a cat in the night.  No one will look at you twice with suspicious eyes."  With these last words Sinhika died, and the large fish of the sea disposed of her body.

Hanuman continued his route to Lanka, thinking about Sinhika's last words.  He contemplated whether he should follow the advice, or do the exact opposite.  As he neared Lanka's gates he saw how magnificent the city was.  He climbed high into the trees, and hit for a while scouting the outer gates to look for any weak spots.  The closer in proximity that he go to the city, he noticed that her form began to change until all he saw was an old woman sitting in the road.  At this moment Hanuman decided that he would trust in Sinhika's finals words, assumed the form of a cat, and ventured off to approach Lanka in the road.

Author's Note:
 Hanuman's leap to Lanka was pretty uneventful, expect for speaking to Mainaka and his encounter with the female demon.  Although the main focus of this tale was to tell about Hanuman's short battle with Mainaka, I wanted to give the mountain some credit along with a brief background, in order to not confuse my readers.  The image of Hanuman being swallowed in this week's Reading Guide is what inspired me to retell this section of the epic (seen here).  I added more dialogue between the duo, and tried giving Sinhika more significance by having her advise Hanuman what to do while in Lanka.  I ended with Hanuman approaching Lanka in the form of a cat, because I thought this part was very interesting, and gave Sinhika the credit for Hanuman's transformation.

Bibliography:
Buck, William (1976). Ramayana: King Rama's Way.

Week 6 Reading Diary B: The Battle soon Begins

Ah, now we are once again back to the part where Rama curses the ocean, the land bridge is constructed, and we are getting ever closer to the epic battle.  I wonder if Ravana is ever sitting alone and beginning to contemplate giving Sita back to Rama for the sake of his livelihood and Lanka (haha, yeah right).  I don't remember Nala's character from Narayan's edition.  I'm pretty sure the ocean just agrees to withhold the bridge that they wish to construct.  Also, the bridge is made from many pieces of organic matter, not just rocks.  

Again, I think that Ravana should have been wiser and listened to Vibhishana, it would have saved a lot of trouble in the near future.  The part about the spies is an exciting new edition, and this may also be a great story to retell!  Now the magicians are another new part of the story that I also do not recognize.  I know that Ravana attempts to trick Sita into thinking that Rama is dead, but not before the fighting has even began.  I am glad that Sita has Trijata, and hope that nothing bad happens to Trijata in the future.  

(Hanuman and Medicine Hill) 

I cannot believe that in this version Rama and his allies are actually killed by Indrajit!  That is very interesting, and again another good plot to retell, more particularly about Medicine Hill.  There is a lot of tricks and schemes coming from both sides of the battle and most of it is coming from Indrajit.  This sounds terrible, but I am almost relieved whenever Lakshmana finally slays him and Ravan has decided to come out to battle.  

Week 6 Reading Diary A: Hanuman's Journey to Lanka

It's been a while since I've done any reading for this course, and I can say I am very excited to get to the end of Buck's Ramayana. I can already see differences between the writers epics, for this time Hunaman must make a great leap to make it to Lanka, versus growing in size and making a giant strides.  Mainaka and Sinhika are additions to the story that are new to me, and this is very exciting.  Hanuman's journey in Sinhika may be a great story to retell!  

(Hauman and the Sea Demon)

This is so exciting to see that Vayu actually has a role in this part of the tale, given the fact that I have written three separate stories that incorporate him.  Although some of the information can be overwhelming at times, I do enjoy how much more in detail Buck goes, especially the detail of Sita's stay in Lanka while she is waiting for Rama to return.  I'm excited to see what Rama's reactions are when he gets the pearl and message that Sita has sent back with Hanuman.  Now that Hanuman has told Rama that Sita has remained faithful to him, I am wondering how their reunion will be after the war is fought.  

Comment Wall

(Image Source)

I have no clue why, but I love placing memes anywhere permissible when it comes to my blog. :)

Week 5 Storytelling: Ravana's Curse

My dear readers, we have come back with the story of Sita and how she was rudely brought to Lanka under the personal agenda of the demon king, Ravana.  In previous tales, I had introduced Vayu (the wind god who is also Hanuman's father) and have told you about his significance in Sita's survival in Lanka by bringing her food and information until this point in time.

In the beginning, when Ravana first brought her, Vayu put it upon himself to bring Sita whatever she needed behind the seething eyes of her Rakshasis guards.  Vayu is a god, and pretty invincible, but he was also old in age, and needed some help in caring for Rama's bride.  After bringing Sita some dinner one night, he sent a message to the Lord Brahma asking for some assistance.  Vayu's prayers had been heard and Indra was summoned to visit Sita in Ravana's garden.  Indra brought Sleep with him, who cast a deep slumber over the kingdom of Lanka.  Indra thanked Vayu for all he had done, and relayed Sita would not need anymore food subsistence.  He asked Vayu to continue to provide Sita with information about Rama, when needed, and to let her know whether any message from Ravana consisted of the truth.  Although this was relief for him, Vayu still stayed close the maiden until her husband's return.

Indra entered Sita's entrapment in the garden and told her not to fret.  He gave her some blessed food and water, stating that it would keep her satisfied for a years time.  He also reassured her that Ravana would not try to make any advances on her, for he was cursed long ago.  Sita being curious asked what the parameters of the curse were so that she would be able to properly protect herself if and when Ravana would visit her.

Indra began the story of Ravana's curse:

After Ravana's heaven and earthly campaign to conquer was over,  the Demon King decided to settle down to rule in Lanka.  He loved his wife Mandodari very much, but he quickly became greedy and soon set out on a journey to obtain beauty.  Any female creature he found appealing, he took, and progressed on his way killing anyone who objected.  Ravana had the great skill of persuasion, and it was easy for him to manipulate many into becoming another wife.  He was coming near the end of his expedition when he decided that all he needed now was to make an Apasarasa his wife, and his "collection" would be complete.  Ravana set course to mount Kailasa, and waited until someone crossed the path leading down to the nearby village.  It wasn't long until the beautiful Rambha came down from heaven to visit her husband Nalakubra.  Ravana approached her, asked where she was going, and beckoned her to sit next to him in the grass to converse.  Rambha tried to reason with Ravana, "Aren't you the new ruler of heaven, everyone knows so?  If that is true you are my King, elder, and guardian technically."

(An image of Rambha: Source)

 Ravana replied, "You are right, I am the rule of heaven and all!  Because of this, I demand that you learn to love me this very instance."  Rambha knew she wasn't going to be able to steer Ravana desires, and began to weep loudly.  Unbeknownst to the duo, Nalakubra's home was near the path and he had overheard their conversation.  Nalakubra was wise enough not to directly approach Ravana, for he knew he would be eliminated where he stood, and instead climbed to the top of the mountain, which was directly above where the pair was located.  Rambha's husband gathered his wit, and as soon as he witnessed Ravana begin to advance towards his wife he let out a curse heard in all directions. He bellowed, "Ravana you have no sanctity, and from this moment you are cursed to never be able to take from a woman what she is not willing to give you! If you even try, then your ten heads will burst off your shoulders!" Ravana, frightened by Nalakubra's words, left the scene and made his way back to Lanka thinking to himself that he had already obtained enough beauty to keep him entertained.

Sita interjected Indra's story at this point, " If Ravana was not allowed to approach a woman who would not have him, what about the "wives" that he had already taken."  Indra answered, "These women took pity on Ravana at this time, and felt protected by the curse, so they decided to come to Lanka anyway and live the lavish life Ravana had promised.  But do not fret, Sita, your husband will come for you soon after the rainy season. Continue to depend on Vayu to relay the truth of any news that is brought to you about his progress."

Now that their conversation was over, and Sita felt more inspired than ever in seeing Rama again, Indra and Sleep left Lanka.

Author's Note:
For my readers who have not visited my page before, the beginning of my story correlates with stories I had written in Week 2 and Week 3.  I started reading Buck's version of the Ramayana before Narayan's came in the mail, so I had already written Week 4's story a long time ago, and was too lazy to change it and continuing with my Vayu character.  This week I brought him back, and will decide after completing next week's reading, whether or not he will continue to make an appearance.  When I had first read Indra's story of Rambha and Ravana's encounter, I thought it was interesting enough to rewrite it.  As I'm sure most of you were, I was a more than a little mortified that Ravana had raped his nephew's wife (which I discovered after a little Wiki search on Nalakubra).  So in my remake, I have Nalakubra come to Rambha's rescue, all the while still holding true to Ravana's curse and why he cannot just do what he wants with Sita.  If I made the story confusing in the beginning of this retelling, and you felt as if the intro was irrelevant, please let me know!  I am always up for some constructive criticism.

Bibliography:
Buck, William (1976). Ramayana: King Rama's Way.

Week 3: Storybook Styles

Topic: For my project this semester, I would like to make a Storybook about the god Ganesha!  As mentioned in my feedback, we do not hear much about Ganesha until we get to the epic Mahabharata.  Also, as I mentioned in my topics post, I just find him one of the most interesting gods (mainly because he has an elephant head haha).  I would like to include the story of why he has an elephant's head foremost, then I would like to touch on some of his most known attributes such as his appetite/race with his brother, his single tusk, and why the moon changes phases.  What I would cover would depend on how many stories I am able to create before finishing the course.  

Bibliography: 

1. Information on Ganesh Chaturthi, a ten day festival celebrated in many Southeastern Asian countries: Source

2. Much background information on Ganesha and a layout of the many things that he is connected to and represents: Source

3. Mythological anecdotes of Ganesha: Source (I believe this will be my main source)

(Ganesha Scribing for Vyasa: Wikipedia)

Possible Styles:

Festival:  Since Ganesha is loved throughout southern Indian, I would use the introduction to tell about his background and significance (as mentioned before).  I could talk about the different times one would worship Ganesha, and in what circumstance.  There are many Hindu temples, and I could provide a walk through of some of them including pictures.  Finally there is a festival called Ganesh Chaturthi, which I could elaborate on.  It lasts ten days, and I could talk about the rituals, dates, and differences of the festivals in different countries.  

Children's Story: I read a great story between a mother and daughter when researching some of the Storybooks previously made.  I like this idea, but want to do it in such a way that I would not take away the focus away from Ganesha himself.  Since Ganesha's head is replaced when he was young, or at least speculated, I could tell the story to a young boy.  Since my audience is more directed toward a child, I could really simplify Ganesha's stories for my audience.

Journey: This reminds me of the "traveling through India" topic I was thinking about doing.  If I were to use this topic, I could be a traveler flying into India for a semester abroad.  Although I have talked about the festival aspect some, I could almost use some of those same topics, but use the perspective of a modern day college student and their experience as an american who has never been exposed to these kinds of traditions and tales before.  

Television Story:  With this topic, I could almost combine television and children's story by using a theme close to Reading Rainbow.  I got this idea when Aiden (my son) was watching Nick Jr. and they told the story of Rama, Sita, and Ravana (this was even before I knew anything about the Ramayana).  I would start each story as a different "program/episode," and tell a portion of Ganesha's story.  For my introduction, I would introduce myself and give the background on Ganesha and his significance in not just India, but in other parts of Southeast Asia as well.  

Week 3 Storytelling: Sita in Lanka

If you had not read my great tale from before, you may not know that Vayu is the father of Rama's devotee, Hanuman.  Vayu is the god of wind, and one of the many gods that the demon King Ravana had conquered and made slave of his court and kingdom. You would have also missed the part where I explained that Vayu had to ability to be everywhere at once, and to grant life to throughout the Earth.  All the gods knew of the prophecy once Ravana was granted his boon.  He was so arrogant that he believed that only celestial creatures would want to see the end of him.  Ravana was granted eternal protection from all beings except for humans and monkeys. The great Rama's entire existence was centered around marrying the most beautiful woman in the world, Sita, and ending the demon King's reign of terror.  

Onto present day, and back to Vayu, he had just witnessed the heart breaking scene of Ravana carrying Sita, on a slab of dirt, into his court.  She was very distressed, and was calling for him to return her to Rama before he sought the demon's death.  Ravana was amused by her threats, but was quickly becoming annoyed.  He ordered that an entrapment of sorts be made in the garden, directly outside the biggest window of his bed chamber.  Vayu observed all of this unseen, for he had the power of invisibility, and went to tell his friend Agni (the fire god) about the situation.  Once he had Agni convinced that their salvation was near, Vayu went to observe what the kingdom had to say about Sita's presence.  

Much to Vayu's surprise the kingdom was in quite a stir.  The many consorts of the King were growing concerned that Ravana would grow tired of them, and banish them back to their homeland.  The demon army was growing excited, for it had been many years since Ravana took them out on raids to overcome the many gods on Earth.  Vibhishana, Ravana's younger brother and advisor, was growing anxious over his brother's well being and began plans on how he could convince the King to surrender to Rama. 

(Source)

Once Vayu was done listening to the opinions of the Lanka, he decided to pay Sita a visit.  He made himself invisible at first to see what kind of environment and situation that she was in.  There were some fearsome looking rakshasis' surrounding her around the clock.  They were trying to convince her to just give in to Ravana, to forget about Rama, and that the demon King would be able to please her for an eternity in ways that her human husband wouldn't be able to.  After hearing this for a little while, Vayu decided enough was enough and sucked the breath out of their bodies temporarily.  He made himself visible only to Sita and reassured her that if she continued to refuse Ravana that she would remain safe.  He gave her a secret signal (only known between the two of them), so that if she ever needed anything he would be able to bring it to her, or he could determine whether a messenger is telling her the truth or lies.  This is how Sita kept her determination while waiting for Rama throughout the next rainy season and year.  Anytime someone would try to deceive and lie to her about what was going on, even when the demons tried to bring her what appeared to be a decapitated Rama, Sita would always wait for Vayu's signals on whether or not her audience was telling the truth.  Vayu's son, Hanuman, was a devotee of the great Rama, and the human king-to-be would be the one who was going to grant him salvation.  The least he could do is aid Sita during her time in the demon kingdom. 

Author's Note:
Since the wind god is able to be in all places as once (or least I depict him in this way), I decided to try and make a part II of the story I wrote last week [3].  Since Narayan's version of the Ramayana doesn't give readers much insight on how Sita's stay was like in Lanka, and how she survived, I decided to give Vayu the credit.  Since Vayu is known as the wind god, I really emphasized on his abilities of being all-seeing and how he can be perceived as in many places at one time.  I thought it would be interesting to make a continuation of last week since someone commented about how they would like to know more about Sita's capture. 

I am aware that we are put into different "comment" groups each week, and those who I will be paired with will be different from last time.  Even though I tried to continue from last week's story, I tried to catch the reader up so they didn't feel like they were missing out on anything. For my new readers, please don't hesitate to point out if I made anything confusing, I'll gladly try and make them clear!

Bibliography:
Narayan, R. K. (1972) The Ramayana.

Week 3 Reading Diary B: Narayan's Ending

I simply cannot display through writing, and emphasize, on how excited I was to begin reading this part of the tale. Up until this point I have read lot of comparison, and I am ready to learn something new about Rama, Ravana, and Sita's fate.  Hanuman's stature and powers are really impressive in this section.  He is so devoted in looking for Sita and appeasing Rama's wishes. I like how he was able to send a message to Ravana and to his kingdom, by burning it down, and relieve Sita from her torturous guards.  

(Hanuman and Sita)

Vibhishana's persistent warnings, and helping Hanuman to escape Lanka, not only shows his pure heart, but also Ravana's consistent arrogant blindness.  He only tries to be voice of reason, but reveals that Ravana is truly destined to send himself to doom.  Ravana's biggest mistake is sending his younger brother away, he practically handed the win to Rama for he now has all of his army's secrets.  

One of my favorite parts is when Rama's army builds the land bridge, and I could only imagine what this site would have looked like during the process.  When the many days of battle have gone by, Rama has finally defeated Ravana, and he has ordered the great funeral for the demon king.  

I was VERY surprised and shock with how Rama tested and presented himself to Sita when he first saw her (as were the gods)!  After Agni presented Sita back to Rama, blessing her as pure, I understood more but this did not lessen my shock.  I am glad that the epic addressed this, and set Rama back on the path of Dharma.  I think this is just an example of how a man can be changed by battle and war.  I can only wonder what would have happened if Sita did give in to Ravana.  Would Rama still have defeated him, would he have changed his mind about doing so, etc.?  I really liked this ending of the story, and glad that Narayan added the epilogue to go over some things. I was wondering when and why Sita would enter the forest, but he decided that this was an unappealing ending when the tale should be positive.  Overall, I am very happy with Narayan's version of the Ramayana.

  

(Sita's Test)

Week 3 Reading Diary A: The End is Near

I am starting to see lots of variances again within some familiar places.  When I first began reading Buck's version, I preferred and was partial to it.  Now that I have come this far in the text, I am favoring how Narayan is able to cut out some "unnecessary" points in the story, and he is effectively able to move along without leaving the reader wondering what these specific details are.  With this version I like how Ravana was unable to touch Sita against her will, I think this is much more effective than him not being able to "take her" as he pleases.  I still fell bad for Jatayu, but I am glad that he was so valiant and tried to save Sita from Ravana. 

(Ravana fights Jatayu)

Hanuman's significance is more elaborated, and his appropriate "obsession" with Rama is more understood, in my opinion.  I understood the dispute between Vail and Sugriva better in this version of the epic, and I am relieved that Tara didn't take her life and was able to serve as a voice of truth after the rainy season.  The sending out of the armies, setting free the nymph to heaven, and crossing paths with Jambavan comes quickly in this version, and I am very excited to come to the end of the epic and see how the battle comes about!  

Week 2 Storytelling: Ravana's Servants

Vayu was once a mighty god that gave life to the Earth and all of it's inhabitants.  Before Ravana's reign of terror, Vayu was one of the most important.  Now, he is only a lowly servant that is in charge of keeping the Demon King's marble palace spotless from dust.  Unlike his dear friend Agni, Vayu was optimistic though while working for Ravana for he had a great secret.  Everyone in the three worlds (human, god, and demon) knew that when Ravana was granted his boon by Brahma, he only asked for protection from gods and powerful beings.  He did not request to also be resistant to monkeys nor humans.  What Ravana did not know about his swift servant is that he fathered a monkey named Hanuman.  Hanuman was a devotee of Vishnu and his human reincarnation known as Rama. 

(Vayu)

When Vayu sensed Ravana coming for him in the mountains, to take him as a servant, he quickly left clues that only a monkey could find.  His only mistake is that he scattered them too far apart from each other, and monkeys are notorious to have a short attention span.  Hanuman was able to find all the information he needed about Rama, but he never found the clues that located the city of Lanka in case they ever needed to find Ravana there. 

Back to modern day, as Vayu was swirling dirt around the main courtyard, a large commotion was coming from the entrance of the palace.  There was a woman screaming, and it was a voice that Vayu had not heard before.  He quickly made himself invisible and made his way to where the noise was coming from.  He saw a slender woman fighting Ravana's grasp, yelling about how her husband was going to come after him.  Could this be?! Has the time for the gods be set free come, and the world rid of the Demon King?! Vayu was overcome with excitement and went to see his closest friend Agni. 

(Agni)

"Agni" called Vayu, "We shall be set free at last, for Rama has finally made Ravana his target!"  Agni was a cautious individual, hated gossip, and didn't believe anything unless he heard it with his own ears or seen it with his own eyes.  Agni said, "Vayu, I now accept my undesirable position as the palace's lighter.  Leave me be, and don't fill my head with ideas!" Vayu smiled at his dear friend's response because he could tell that Agni was at least a little interested.  "I am telling the absolute truth my friend, I swear" said Vayu, "As soon as the sun sets this evening go to the King's chamber and when you light his lamps look out the biggest window and you will see a beautiful human woman.  This is Sita, Rama's wife."  "Rama.. Rama?!" called Agni, "Oh the prophecy must being coming true!" With that Agni went off to see Sita for himself and Vayu to tell the other servant gods.   The kingdom began to quietly stir.  The gods were not worried about alerting Ravana for he stayed alone and locked in his private chamber, tormenting himself over Sita's beauty.  

Author's Note:

I decided to create a short story about two of the many servant gods that Ravana had in his court.  I feel that they are merely mentioned, and not given the recognition they deserve.  I followed the prompt provided in the Week 2 Storytelling Ideas, then added some extra information about Vayu.  I knew that Hunaman would be an important player coming up, and thought it was interesting that Vayu was his father, so I decided to mention that here.  Since Sita's capture hasn't officially happened in this week's assigned reading, I decided to leave these details out.

Bibliography:
Narayan, R. K. (1972) The Ramayana.